Artist: Mike Gangloff
Release: Poplar Hollow
Released: 2012
Label: Klang
Catalog#: 
Format: FLAC / Lossless / Log (100%) / Cue
Country: USA
Style: americana

1.Queen Of The Earth, Child Of The Skies 04:36
2.New Orleans 04:23
3.Cat Mountain 05:58
4.Waiting On My Rider Back From Town 02:52
5.Snowbird 02:06
6.Sally Coming Through The Rye 05:18
7.Ironto Farewell 04:02
8.Piedmont Field Hand I & II 04:57
9.Little Sparrow 03:21

Mike Gangloff has been picking, stroking, and sawing at various instruments with Pelt, the Black Twig Pickers, Spiral Joy Band, and Keyhole since the mid-90s. He hasnΓÇÖt spent much time putting himself out from as a solo performer, probably because he didnΓÇÖt have to; between his various ensembles, heΓÇÖs been able to play anything he wanted, from ceremonial gong music to entropic rock to rustic airs learned from his elders and neighbors in Southwestern Virginia. Also, as a family man, until recently heΓÇÖs confined his touring to short jaunts with one of his in-demand ensembles.

But things change, and recently Gangloff toured Ireland and the UK under his own name. Practicality is likely one of the reasons that this record exists ΓÇö a musician needs merch to sell in order to buy that next tank of gas! But Poplar Hollow remains a chance to savor GangloffΓÇÖs banjo and fiddle playing without competition from the accompanists that generally vie with him for places in front of the microphones. Save for a droning shruti box on a couple tunes, Gangloff is alone here. Mostly he fiddles or plucks a banjo; on two tunes, he sings in the same unvarnished drawl he pitches into the mix with the Twigs.

While the aura of sonic shamanism that Pelt has indulged ever since Ayahuasca is evident in the big, broad ring he obtains from open tuned strings, what he actually plays are lyric melodies he either learned from Appalachian bow-pullers or wrote in emulation of them. Some of them are pretty familiar; Melvin WineΓÇÖs ΓÇ£New OrleansΓÇ¥ is mighty close kin to ΓÇ£Shady Grove,ΓÇ¥ and GangloffΓÇÖs notes traces opener ΓÇ£Queen of the Earth, Child of the SkiesΓÇ¥ to sources in three different states. GangloffΓÇÖs violin tone is big enough to knock the hunters out of their blinds as it wings from valley side to valley side, and his taste is ornamentation is as splintery and true as his singing. On the three tracks where he switches to banjo, Gangloff once more favors pulse, resonance, and presence over flash. This is music to feel and use, by turns as practical as your grandfatherΓÇÖs favorite pocketknife, as moving as a sad letter from a loved one, and as fun as a night out with good friends.